( Alternatives )

A Hindenburg alternative that runs in the browser

Hindenburg is a craft tool: a desktop workstation designed around the voice, with the clipboard, the levelling and the loudness discipline that newsroom work demands. Cast is built for the other case — an episode due today, edited by reading it, finished and exported without installing anything.

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At a glance

HindenburgCast
Where it runsDesktop app, macOS and WindowsBrowser — nothing to install, any machine
Built forRadio and journalism craft, multitrack assemblyFinishing one podcast episode, fast
Editing modelClips on a timeline, by earTranscript first — cut the audio by deleting text
Fillers & pausesFound and cut by handListed, counted, cut in one click
MusicBring your own tracksGenerated per episode, ducks itself under the voice
LicenceBring your own clearanceCommercial licence and a per-export licence record (Plus/Max)
OfflineYesNo — Cast needs a connection

If you already think in a timeline, stay

Hindenburg rewards fluency. People who edit in it daily are fast, work offline, and keep habits built over years of newsroom deadlines. Nothing here argues with that — Cast is not a workstation and will not become one.

The case for reading the episode instead

The gap shows up on the days you did not plan for: an interview that ran long, a guest who says “you know” forty times, an episode due before lunch. Scrubbing finds those by ear, one pass at a time. Cast finds them by listing them — every filler counted per speaker, every silence over your threshold, each cut snapped to a quiet point and reversible from Recent edits.

Then the finish, which is usually the other half of the afternoon: music generated for this episode rather than picked from a pile, ducking itself under the voice as you keep editing, and an export at −14, −16 or −23 LUFS by picking the platform.

  • Nothing to install
  • Cut by deleting text
  • Music made for the episode
  • Loudness by platform preset

FAQ

01What does editing by transcript look like?

Select any run of words in the Voice Editor and a menu appears. You can delete them (the audio is cut and the gap closes), ignore them (the audio is muted, the timing stays), correct the wording, mark a chapter, assign a speaker, or copy and paste words elsewhere.

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02How does the music duck under the voice?

That is auto-ducking. The music drops under the voice and comes back in the gaps, automatically — and because the duck follows your actual voice clips, it stays correct after you cut. Trim a minute of filler and the music re-balances itself. You never draw a volume envelope by hand. You can set how far it drops, or switch it off.

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03How does Cast set loudness for each platform?

Apple Podcasts wants −16 LUFS; Spotify and YouTube want −14 LUFS; broadcast (EBU R128) wants −23 LUFS. Most tools make you type that number in. Cast ships the target with the platform — pick where you are publishing and it normalizes to that, with true peak at −1 dB. (Master is the exception: no normalization, no ceiling — untouched on purpose.)

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